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Marty's Musings - Marty Lacker talks

Over the course of a unique career that stretches back to the 1960s, Paul Williams has been and is a songwriter, singer, actor, a recovering alcoholic and recovery advocate, and not least the president/chairman of ASCAP, a role he’s held since 2009 and for which he was recently elected to a fifth term.

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He’s also enjoyed, as he puts it, a truly remarkable “third act” in his career, which includes winning a Grammy in 2014 for his work on Daft Punk’s “Random Access Memories” and, most recently, a brief and memorable cameo as a corrupt cop/illegal arms dealer (SPOILER ALERT: who is quickly shot by Jamie Foxx’s character) in “Baby Driver.” The role is startling to anyone who knows him and doesn’t know it’s coming, not only because the diminutive Williams is apparently portraying the most well-dressed, erudite and loquacious corrupt cop/illegal arms dealer in history, but because the character’s lines sound like things Williams himself would say.

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It’s a role that was tailored for him by his friend, the film’s 43-year-old director Edgar Wrht — who is also, as the film bounteously demonstrates, a music geek of magnitude.It’s interesting — a lot of the people that I’m working with now are relationships that were spawned by work I did in the ‘70s.

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Williams, an Oscar, Grammy and Golden Globe-winning member of the Songwriters Hall of Fame whose catalog includes “Evergreen,” “Rainy Days and Mondays,” “We’ve Only Just Begun” and perhaps most famously, “Rainbow Connection” from “The Muppet Movie” — is no slouch either, and while this interview was ostensibly about his role in “Baby Driver,” within seconds he was gushing about Wrht’s work on with the film’s music.

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